MOMIX shares some magic

Mar 05, 2014
MOMIX shares some magic

This past week has been a whirlwind of bright orange petticoats, inspired choreography, and smiling faces in the studios of the professional training facility on 58 Main Street.

Fresh off the heels of their international success in choreographing the awe-inspiring “Doves of Peace” for the Sochi Opening Ceremony of the 2014 Olympics, Moses Pendleton and Cythnia Quinn are back at home in Connecticut sharing MOMIX magic with the trainees of The Nutmeg Ballet Conservatory.

Always an honor to present MOMIX choreography, the senior level trainees have been hard at work learning the dynamic “Marigolds” choreography, an excerpt of the widely acclaimed “Botanica” under the guidance of MOMIX Associate Director, Cynthia Quinn and company member, Jennifer Chicheportiche.

Moses Pendleton and Cynthia Quinn of MOMIX have a longstanding relationship with The Nutmeg Ballet. Their daughter, Quinn Pendleton, is a 2003 graduate of The Nutmeg Ballet Conservatory and has built a successful ballet career with Les Ballets de Monte Carlo. Cynthia Quinn also serves on The Nutmeg Ballet Board of Directors and works closely with the organization to assure its continued success and longevity.
This collaboration with MOMIX brings excitement and innovation to the annual IMPACT production presented at the Warner Theatre’s Nancy Marine Studio Theater. Not only does The Nutmeg have access to the creative minds and wondrous choreography that is the hallmark of any MOMIX production, but the vignette from “Botanica” will be complete with the dazzling “Marigolds” costuming as well.

MOMIX productions are known for their elaborate costumes and innovative use of props to tell the kind of story that could only spring from the most vivid imagination. The audience is sure to experience a powerful glimpse of nature’s magic in all of its splendor and vivid color. The imagery of dancing flowers promises to be so intense that it will be difficult to deny that spring has finally arrived in New England.

An avid gardener, Pendleton’s own fields of marigolds in the home he shares with Quinn, provided the inspiration that would eventually manifest itself in choreography of a nature-inspired fantasy of his own creation. “You have to suspend your belief a bit and allow for the dreamscape to happen,” the masterful choreographer explains.

The tradition of MOMIX excitement continues as the trainees of The Nutmeg Ballet trade their traditional tutus for playful petticoats in an excerpt from “Botanica Marigolds” during the March 22nd and 23rd performances of IMPACT. Under the watchful eye of Cynthia Quinn and the careful instruction of Chicheportiche, the trainees have blossomed into beautiful marigolds who are sure to delight audiences of all ages.

With something for everyone, IMPACT features classical choreography from the ballet “Raymonda”, originally choreographed and set by Marius Petipa and staged for IMPACT by The Nutmeg Ballet artistic staff, as well as brilliant original and contemporary works choreographed and staged by Kirk Peterson, Brian Reeder, Victoria Mazzarelli, and Timothy Melady.

You won’t want to miss this exhilarating weekend of performances on March 22 at 8 p.m. & 23 at 2 p.m. in the Warner Theatre’s Nancy Marine Studio Theatre. For tickets, contact the Warner Theatre box office by phone 860.489.7180 or online www.warnertheatre.org.
A Glimpse of The Nutmeg This Week!

The Nutmeg Ballet had the pleasure of hosting a meeting of the Connecticut Arts Council on Wednesday morning that included a tour of the state-of-the-art facilities. Later that evening, the Dance Shop at The Nutmeg welcomed the Torrington Downtown Merchants for a gathering and tour of the building that included glimpses of rehearsals for the upcoming IMPACT performances. Rounding out the week, this weekend, trainees from The Nutmeg Ballet will be participating in the Connecticut Classic Competition hosted by the Connecticut Dance Alliance and held at the Westover School in Middlebury.

IN THE MEDIA

By Jack Sheedy 31 Jan, 2020
After 50 years of building a reputation for professionalism in dance instruction, Nutmeg Ballet was forced to put that reputation to the test this year. Audition tour director Joan Kunsch injured her arm and was unable to go on her annual 18-city nationwide recruiting tour. But, “Nothing will be canceled,” she promised in early December. “It was up to me to solve it,” said Kunsch. “I thought, ‘Who better to represent Nutmeg than the former students who are making professional company careers around the country?’” She compiled a list of about a dozen Nutmeg alumni around the country and called them. They eagerly accepted the challenge. For example, Kunsch said, “We have a Nutmeg graduate, Amy Potter, who is a principal dancer in the Oklahoma City Ballet, and I called her and she’s ecstatic to do it. She said, ‘Proudly, I would do it. Proudly.’” Another former student, Thel Moore, trained at Nutmeg from 2012 to 2015. He agreed to cover three of Kunsch’s scheduled cities, including Richmond, Va., where he is a danseur at the Richmond Ballet Company. Moore said in an email, “What I typically look for in an audition is a base in classical ballet but also a love for ballet as well. I’m looking for a spark that you usually can’t teach but mold into something beautiful.” He said students are nervous at first, but “when they see the brochure [and] how beautiful the building is and how incredibly professional the staff is, they usually lighten up and get really excited for the audition.” The far-flung team of Nutmeg-trained dancers are directing auditions in January and February in nearly 40 cities in the United States and Canada. Some of these cities are on Tim Melady’s usual itinerary as audition tour co-director. Melady, Nutmeg’s principal ballet master, is also standing in for Kunsch in several cities. Speaking by phone from an airport near St. Louis, Mo., Melady said, “I have been to the West Coast. Seattle had a good turnout. Portland had a good turnout. San Francisco had a good turnout, and they are all so interested in Nutmeg and Torrington!” He said, “We’re so lucky that we have such a respected reputation.” When an auditioning dancer asks about Nutmeg, he refers them to former Nutmeg students in the area, who are happy to talk about their experiences. Melady said the constant influx of students from thousands of miles away is enriching for them, for Nutmeg and for Torrington. “People come to Nutmeg and say, ‘Oh my God, we’re meeting people from Wyoming! From California! This is crazy.’ Everybody knows about Nutmeg Ballet. It’s wonderful!” Kunsch said that when she has gone on the audition tour – which she has done every year since 1993 – she tells dancers, “Not only are you auditioning for Nutmeg; Nutmeg’s auditioning for you.” She tells them, “We’re not looking for perfection. If you were perfect, would you need us? We’re looking for trainability.” Moore said, “Bringing talent from all over is very important because it keeps Nutmeg as one of the best schools to train at in the United States.” Melady said, “[The auditioners] have heard of us, and they’ve heard of our reputation. And that’s a real advantage. Our reputation is golden. There are more and more schools just vying for this slice of talent. And there is always talent.” Victoria Mazzarelli, artistic director, said Torrington auditions at the Nutmeg Conservatory attract not only local aspirants but dancers from New York, Massachusetts, New Jersey and Pennsylvania for both the summer and year-round programs. Remaining auditions at the Conservatory at 58 Main Street are Feb. 1, 15, 29 and March 7, from 9 a.m. to noon. And by the way, said Mazzarelli, locals are most welcome! “During these next few months, our year-round students and faculty are rehearsing and preparing for our Spring Studio Series that will be held on March 18, 19, 20 and 21,” she said.
06 Dec, 2019
TORRINGTON – The first time Shelley Gallo and her mother, Rosemarie Meyer, attended Nutmeg Ballet’s “The Nutcracker” in 1975, they thought it was a musical play. Shelley was four years old. “When are they going to start talking?” she asked her mother. They had never been to a ballet before! But, since that night 44 years ago at Torrington High School’s Little Theatre, they have attended Nutmeg’s “Nutcracker” almost every year, missing it only once due to illness. “I’ll bet we hold the record,” Shelley said. Nutmeg’s “Nutcracker” has since outgrown the high school auditorium, of course, and now is performed yearly at the 1,750-seat Warner Theatre and the 900-seat Belding Theatre at The Bushnell in Hartford. It opens Dec. 7 at the Warner. “I remember going that first time with my mother,” Shelley said, “but I don’t really remember how I felt when I left. I do remember all the pretty ballerinas and the pretty costumes, but I can’t say I ran out of there saying I want to be a ballerina.” Rosemarie said she had taken Shelley to Christmas Village and was looking for something new to share with her. She saw an advertisement for “The Nutcracker” in what was then The Torrington Register. “I thought that was something that I’d like to start with her as a tradition,” she said. “We realized at some point in the performance that it was not going to be a play,” she said. “There was not going to be singing, or any kind of dialogue, but we just watched it in awe because the dancers were so talented and the costumes were so beautiful and the scenery was beautiful. And as the years have gone by, it’s gotten better and better.” Costumes and scenery have evolved, and this year the mother-daughter duo are looking forward to revolutionary changes. To mark Nutmeg’s 50th anniversary, hundreds of the 1,200 costumes will be new, designed by Janessa Urwin and Susan Aziz and hand-finished at Nutmeg’s own costume shop. And the 22-year-old set by Campbell Baird will be replaced by spectacular scenery by Boston’s theatrical designer Roger LaVoie. Artistic director Victoria Mazzarelli has reimagined the choreography, and Brian Sciarra has designed new lighting. There will be some delightful surprises. “There have been little tweaks every year,” Shelley said. “Maybe the lighting is a little different, or the choreography is different, or maybe there’s a sash on a costume that’s a different color. My mother and I would bump elbows and whisper, ‘Did you see that?’ This is the first year that we can’t compare our notes.” When they heard that things would look very different this year, Shelley said she and her mom were at first nervous. “But I’m sure it will be beautiful.” Rosemarie said, “I can’t wait to see this year’s new scenery and costumes. We’re both really excited about it.” Rosemarie and Shelley both love family traditions, especially around Christmastime. Since Shelley was a child, she helped her mother every year bake cookies. Now, though she lives in New Hartford and her mom lives in Torrington, Shelley says she still bakes more than 1,000 cookies every Christmas and gives them to co-workers, family and friends. “The Nutcracker” is perfect for tradition-minded people, she believes. “I love the story because it’s the whole Christmas Eve party, and I come from an Italian family,” she said. “Christmas Eve is the biggest celebration in my family. It’s such a magical time, even for me now. I carry on the cookie-baking traditions my mother and my two Italian grandmothers carried throughout the years.” Nutmeg’s new 2019 “Nutcracker” ushers in a brand-new tradition as Nutmeg Ballet enters its second half-century. Tickets can be ordered through Nutmeg’s website – also reimagined and redesigned for the occasion – at www.nutmegconservatory.org. Warner Theatre performances are Dec. 7 at 2 p.m. and 7 p.m. and Dec. 8 at 2 p.m. Performances at The Bushnell in Hartford are Dec. 14 and 15 at 12:30 p.m. and 4:30 p.m.
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