‘Dance Jubilee’ set for Warner’s main stage

May 16, 2019
May 16, 2019 9:08 am
By JACK SHEEDY for The Register Citizen

TORRINGTON – “Dance, ballerina, dance!”

That is what dozens of ballerinas and danseurs will be doing May 16, 17 and 18 on the main stage of the Warner Theatre, as they present Nutmeg’s Dance Jubilee.

But, unlike the Carl Sigman/Bob Russell song made famous by Vaughn Monroe, the Nutmeg Ballet dancers hope there will be no “chair that’s empty in the second row” of the 1,770-seat theater. As Nutmeg begins to celebrate its first 50 years, they are hoping to fill the theater.
The Nutmeg Dance Jubilee is the culminating event of the 2018-2019 dance season and of the Nutmeg’s first 49 seasons.

“Time flies when you’re having such fun,” said Sharon Dante, Nutmeg Conservatory’s founding director. “The first 49 years have seen growth not only for Nutmeg and its students and staff but certainly for our entire arts community in Torrington. Nutmeg has become a significant economic driver for our unique little city nestled in the northwest Connecticut foothills. It is only right that we should celebrate this milestone on the Warner main stage since we were so involved with re-opening the Warner in 1983.”

She added that Nutmeg plans to maintain the same intimate and personal approach from the main stage as from the Warner’s smaller Nancy Marine stage or Nutmeg’s Premiere Studio, where these spring performances had traditionally been held. Early ticket holders will fill seats nearest the stage.

Donna Mattiello, academic dean, said, “The event takes place during graduation weekend, when the entire student body, friends and invited guests to gather along with the 12 graduating dancers taking part in commencement exercises as part of the May 18 program.”

The performances feature excerpts from “Paquita,” staged by Eleanor D’Antuono and Denise Limoli, and including 38 young students from the Torrington School of Ballet.

Nutmeg dancers will also perform original works by Momix, Kirk Peterson, and Kate St. Amand; as well as an encore presentation of last year’s “Jazz with Charlie,” a collaboration between artistic director Victoria Mazzarelli and Charlie Patterson, featuring live music performed by the local jazz ensemble JINQS.

“Our evening is a wonderful mix of classical ballet and modern dance,” Mazzarelli said. “I am thrilled to be collaborating with Charlie Patterson and JINQS again. Having live music really takes the performance to another level.”

Performances are May 16 and 17 at 7 p.m. and May 18 at 2 p.m. on the main stage of the Warner Theatre, 68 Main St., Torrington. For tickets, call the Warner box office at 860-489-7180 or go to Nutmegconservatory.org, choose Performances from the top menu, then click on Dance Jubilee.

Order early. You may be the one to fill that empty seat in the second row.
"Our evening is a wonderful mix of classical ballet and modern dance,” Mazzarelli said. “I am thrilled to be collaborating with Charlie Patterson and JINQS again. Having live music really takes the performance to another level.” 
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IN THE MEDIA

By Jack Sheedy January 31, 2020
After 50 years of building a reputation for professionalism in dance instruction, Nutmeg Ballet was forced to put that reputation to the test this year. Audition tour director Joan Kunsch injured her arm and was unable to go on her annual 18-city nationwide recruiting tour. But, “Nothing will be canceled,” she promised in early December. “It was up to me to solve it,” said Kunsch. “I thought, ‘Who better to represent Nutmeg than the former students who are making professional company careers around the country?’” She compiled a list of about a dozen Nutmeg alumni around the country and called them. They eagerly accepted the challenge. For example, Kunsch said, “We have a Nutmeg graduate, Amy Potter, who is a principal dancer in the Oklahoma City Ballet, and I called her and she’s ecstatic to do it. She said, ‘Proudly, I would do it. Proudly.’” Another former student, Thel Moore, trained at Nutmeg from 2012 to 2015. He agreed to cover three of Kunsch’s scheduled cities, including Richmond, Va., where he is a danseur at the Richmond Ballet Company. Moore said in an email, “What I typically look for in an audition is a base in classical ballet but also a love for ballet as well. I’m looking for a spark that you usually can’t teach but mold into something beautiful.” He said students are nervous at first, but “when they see the brochure [and] how beautiful the building is and how incredibly professional the staff is, they usually lighten up and get really excited for the audition.” The far-flung team of Nutmeg-trained dancers are directing auditions in January and February in nearly 40 cities in the United States and Canada. Some of these cities are on Tim Melady’s usual itinerary as audition tour co-director. Melady, Nutmeg’s principal ballet master, is also standing in for Kunsch in several cities. Speaking by phone from an airport near St. Louis, Mo., Melady said, “I have been to the West Coast. Seattle had a good turnout. Portland had a good turnout. San Francisco had a good turnout, and they are all so interested in Nutmeg and Torrington!” He said, “We’re so lucky that we have such a respected reputation.” When an auditioning dancer asks about Nutmeg, he refers them to former Nutmeg students in the area, who are happy to talk about their experiences. Melady said the constant influx of students from thousands of miles away is enriching for them, for Nutmeg and for Torrington. “People come to Nutmeg and say, ‘Oh my God, we’re meeting people from Wyoming! From California! This is crazy.’ Everybody knows about Nutmeg Ballet. It’s wonderful!” Kunsch said that when she has gone on the audition tour – which she has done every year since 1993 – she tells dancers, “Not only are you auditioning for Nutmeg; Nutmeg’s auditioning for you.” She tells them, “We’re not looking for perfection. If you were perfect, would you need us? We’re looking for trainability.” Moore said, “Bringing talent from all over is very important because it keeps Nutmeg as one of the best schools to train at in the United States.” Melady said, “[The auditioners] have heard of us, and they’ve heard of our reputation. And that’s a real advantage. Our reputation is golden. There are more and more schools just vying for this slice of talent. And there is always talent.” Victoria Mazzarelli, artistic director, said Torrington auditions at the Nutmeg Conservatory attract not only local aspirants but dancers from New York, Massachusetts, New Jersey and Pennsylvania for both the summer and year-round programs. Remaining auditions at the Conservatory at 58 Main Street are Feb. 1, 15, 29 and March 7, from 9 a.m. to noon. And by the way, said Mazzarelli, locals are most welcome! “During these next few months, our year-round students and faculty are rehearsing and preparing for our Spring Studio Series that will be held on March 18, 19, 20 and 21,” she said.
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